I am a product of my failures.

It happens sometimes that the material itself carries things you have not fully planned. The footage has its own right, its own life, its own vibrancy and energy in it.

It's all movies for me. And besides, when you say documentaries, in my case, in most of these cases, means "feature film" in disguise.

Fragility of modern world leaves me with the idea we'd better anticipate what's going on. We take our right steps today and now. And we'd better avoid, that we are overdependent on, let's say, the internet.

When I see a face, I see a face in general and I see you are curious, I see the curiosity but I don't not look after a dermatological report of your cheeks, and that's what you see when you're too high-resolution. And now desperately in post-production, in color grading, they are trying to wipe out the precision of the dermatological report.

My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.

Amos Vogel was a mentor, a guiding light for me. In his presence, you always rose. But his importance to me is of minor significance. What is significant is that with him an entire epoch ends. The Last Lion has left us.I am still not capable - or rather unwilling - to understand the fact that Amos passed away, because a man like him cannot be dead. His traces are everywhere.