Very often, footage that you have shot develops its own dynamic, it's own life, that is totally unexpected, and moves away from you're original intentions. And you have to acknowledge, yes, there is a child growing and developing and moving in a direction that isn't expected-accept it as it is and let it develop its own life.

I know whenever it comes to be really dysfunctional and vile and base and hostile on screen, I'm good at that.

I have never been one of those who cares about happiness. Happiness is a strange notion. I am just not made for it. It has never been a goal of mine; I do not think in those terms.

Well, it had to be about the stories and the people who live under the volcano, what kind of new gods do they create? What sort of demons? And of course North Korea falls clearly into this category since the socialist revolution at the end of the Second World War. Somehow they adopted the myth of the power and dynamics of their volcano.

For example, the face of Nicole Kidman in Queen of the Desert and she is the most beautiful goddess on screen that you can find anywhere around in the world. There's no imperfections, and yet I don't need to know every single pore in her face.

I don't see [the jungle] so much erotic. I see it more full of obscenity. It's just - Nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there's a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing. They just screech in pain.

However, there are a couple of volcanoes very close nearby, like Vesuvius in Italy right next to Naples.