Everything that I've done was prudent and never has anyone gotten hurt in my films - not a single actor, not a single extra, ever.

I had complete freedom. They [Netflix] knew roughly what I was doing.

As for the "anger" of the volcano, we leave it up to the local populations who create their demons, their gods and their divine punishment.

I'm talking a lot on financing in the Masterclass and I know what it means to because I had to finance my first films, all of them, and I earned my money as a welder in a steel factory doing night shifts while I was still in high school during the day.

I went to volcanoes where I knew that there was a lot of mythology around them; there was something like the creation of gods and monsters and demons.

Most of the volcanoes are pretty far away. You have to go to, God knows, Alaska. Or you have to go to the Southern Indies or you have to go to a specific island.

In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.