I just want to make films that are personal, but interesting to an audience.

I just want to make films that are personal, but interesting to an audience.

the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, "Well, maybe it's not that good. These guys don't want me to do this..."

The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.

It's not usually that great of an idea to read lots of reviews of your movies, because even if somebody's saying nice things, there'll still be something in there that pushes the wrong button, and it's not really that helpful.

I didn't think so much of him at first. But now I get it: he's everything that I'm not.

Usually when I'm making a movie, what I have in mind first, for the visuals, is how we can stage the scenes to bring them more to life in the most interesting way, and then how we can make a world for the story that the audience hasn't quite been in before.