People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.

A prototype is always more expensive than anything.

I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.

A lot of people have said my movies are all the same. But I don't actually make an effort to have a style. I'm usually just thinking of what can we do to make it funnier or more interesting or just kind of refine it and it ends up like that.

What happened to your hand? It got hit by a mirror. How'd that happen? I lost my temper at myself.

Paris is a place where, for me, just walking down a street that I've never been down before is like going to a movie.

You don't do background music the way a lot of more conventional films do. The music is often kind of a character in your films to the extent that sometimes you stop and watch someone perform a song.