It's quite rare that you make something and think that you did something that no-one else had done.

I think that there has been a slow recognition that there's a mind at work here, and there's a skill and some bit of artistry, and that I could probably do other things. Otherwise, I don't know that I would've been given the opportunity to do Paris, Je T'Aime.

A collection of masks, depicting historical figures in life and what I like to call the eternal repose.

All of us have our individual curses, something that we are uncomfortable with and something that we have to deal with, like me making horror films, perhaps.

I wrote, I think, half a dozen films that were completely out of genre. Comedies, love stories, even one serious film about Vietnam, and we couldn't get backing for any of it. And we both sort of drifted from making, at that time, serious money on Last House to going through it all in the course of almost three years and only getting offers to do something scary again.

I came to terms with living mostly in a world of horror pictures or genre pictures.

Dad, girls don't fall down every time they run.