I think if anybody had a roll of dice with a lot of money at stake, they would not want Wes Craven and a romantic comedy.

I came to terms with living mostly in a world of horror pictures or genre pictures.

I love the fact that a lot of my audience is people from the inner city. African-Americans love my films.

I learned to take the first job that you have in the business that you want to get into. It doesn't matter what that job is, you get your foot in the door.

Many, many things are dangerous in our world, commercials and TV are dangerous, and so is the world of sitcoms. But nobody does anything about them because they're turning in alot of money.

I've found that if you have two films that don't perform well it doesn't matter that you've had a bunch of successful ones. The phone stops ringing, and after Deadly Blessing and Swamp Thing that's what happened.

I think the important thing about staying creative and staying sharp and original is not to look back too much.