Poor decisions and bad luck are contingencies of most horror films.

Anything produced and then exhibited for public view is open to interpretation.

Sidney Poitier became a star in part by helping black and white Americans negotiate their new relationship in the post-Civil Rights era.

Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.

'Brokeback Mountain' is a sad love story about two people who can't be together, and the reason that they can't be together is because being gay is a stigmatized thing. It would be interesting to have the same movie in which the two guys weren't in the closet and there was no shame about them being gay and they couldn't be together for other reasons. I still feel like we're a long way from that happening.

In movies, there are some things the French do that Americans are increasingly incapable of doing. One is honoring the complexities of youth. It's a quiet, difficult undertaking, requiring subtlety in a filmmaker and perception and patience from us.

Poor decisions and bad luck are contingencies of most horror films.