Sometimes you don't realize how dependent you are on just a few people, and if they disappear, suddenly you can be thrown on your own resources, which may be limited, and you're really in a fix. So I think that's authentic to the experience that it might be very lonely.

I call the '70s the "golden age of television"; in the early '70s there were sensationally good shows.

I think a lot of ["Cosmopolitans"] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with "Uncle Wiggly in Connecticut," and I think that's great for us because then we have to do our own Salinger stories.

I find it really disturbing to be watching a lot of the medium that I'm trying to work in. I prefer to be doing things that are farther away.

The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.

I would say on the other side of the equation that there were really some massive sales and massive enthusiasm for some films that were given big releases. And I'm not really sure that happens in quite the same way, small films getting big releases. Maybe it still does, I don't know.

I've had no money, absolutely, from my family. They paid for a good education - or schools that purported to be a good education - but, um, not a dime.