I think crazy people are helpful, crazy people who are the catalysts who make other things happen for everyone else. It's almost as if they're not really making things happen in their own life, but their hyperactivity is triggered for everyone else.

I call the '70s the "golden age of television"; in the early '70s there were sensationally good shows.

That's one of the things I find really bad, is when people not only do injuries to others, but then lie about the others to justify it. It's not bad enough just being bad to someone, but then lying about it.

I think a lot of ["Cosmopolitans"] is marked by [Jerome David] Salinger. Salinger wouldn't allow his works to be adapted for film after his experience with "Uncle Wiggly in Connecticut," and I think that's great for us because then we have to do our own Salinger stories.

Our roots are clinging, we shouldn't knock down so many old 'buildings.'

In my father's time - he was in college during many transitions in the late 1930s - they had great institutional loyalties... to his college, eventually the navy, the Democratic Party and certain ideals of our country. Those are the things that became broken with my generation.

I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.