I look for something universal in songs rather than something personal. I look for something that will give us a platform for live improvisation.

I've had empathy toward what Carson McCullers calls "the invisible people" all my life and was inherently interested in what redeemed Mancil Travis, what fueled Mancil, what destroyed Mancil, etc. I think everyone wants redemption including Mancil.

I look for something universal in songs rather than something personal. I look for something that will give us a platform for live improvisation.

I try to keep my eyes and ears open all the time for the bones of my next song: things people say, melodies I hear in my head, and little musical parts I may stumble across. I write them down or record them on my phone. Whatever I need to do to keep the idea for later when I have the time to sit down with it. So writing for me is a 24/7 pursuit.

When I was young, my father told me I was living in a dream world. At the time, he was trying to straighten me up to fly right. Now I treasure the part of my life that is a dream world - the love of my children, my music - these loves can put you in a dreamy place. I embrace it.

Mancil Travis - I have always had a fascination with this character from my hometown. When I put pen to paper to recount stories I knew of him, I kept hearing this dream sequence in my head that was Willie Sugarcapps harmonies singing like a Greek chorus, "White carnations."

I'm an introverted sort of writer.