We always keep things very, very simple. We can make a respectable living playing a smaller room that somebody else couldn't, because they're spending a lot of money. If we can't get a show up and deliver with what we almost intrinsically have in our brains and our pockets, then I don't really want to do it.
Will OldhamI feel like, for me, reading Thomas Merton is like โWait a minute, this is a rabbit hole. This isnโt a gateway or a ticket to anything except itselfโ. When you're a ways into it, you're five pages in, 20 pages in, 30 pages in, it seems like one of the more oxymoronic undertakings you could attempt.
Will OldhamI valued the experience of making the recordings, and I value the performances contained therein, and I value so much of what they can represent. I also think they're a terrific listening experience. Putting them out this way was a way of trying to maintain and nurture the relationship with the audience and also shine a light on the recent past, because we are so apt to be forgetful as human beings that there was such a thing as a recent past. These are some of the reasons for making this record.
Will OldhamI need to go someplace faraway that doesn't have telephones and doesn't have a record player and doesn't have movie theaters and people walking down the street in order to not do anything.
Will OldhamVenues are all the same, all feel the same, these generic blank spaces. I like artists like Lightning Bolt-bands that go in and kind of change things every time, play on the floor, set up in the middle of the room. They go in and they reinvent the space every time, which I feel is like the kind of thing that should just be happening.
Will Oldham