I don't like going to cities. I don't mind maybe being in a city sometimes for a few hours, but I pretty much don't like cities. I don't even like passing through them.

I feel much more physically connected to my voice, and I like the physicality of the voice, and how the voice can physically occupy a song.

Sometimes we need to tell ourselves that we're not going to do certain things, just in order to stay sane.

I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.

A vocal performance “Coming Together” is hard, but it's the kind of hard that if you work hard enough at it, you can do it and it feels great, because it was so hard. So we'll continue maybe even over the next couple of years to perform that and to expand our collaborative repertoire.

To me, recordings are little fourth-dimension artifacts, because they already are representatives of past, present, and future, just inherently in their existence.

I am thrilled at most corners that I turn walking down the street, I'm thrilled by most pages I turn when I'm reading a book thinking of what it's going to show and what it's going to make possible for tomorrow.