I had killed a big snake. I was now a big fellow.

I suppose there were moonless nights and dark ones with but a silver shaving and pale stars in the sky, but I remember them all as flooded with the rich indolence of a full moon.

I've seen it before. There are women who spread ruin through no fault of theirs, just by being too beautiful, too ful of life and love. They can't help it. Poeple come to them as people go to a warm fire in winter.

[Mark Twain] is still the rough, awkward, good-natured boy who swore at the deck hands when he was three years old. Thoroughly likeable as a good fellow, but impossible as a man of letters.

If [the writer] achieves anything noble, anything enduring, it must be by giving himself absolutely to his material. And this gift of sympathy is his great gift; is the fine thing in him that alone can make his work fine.

It has long been a tradition among novel writers that a book must end by everybody getting just what they wanted, or if the conventional happy ending was impossible, then it must be a tragedy in which one or both should die. In real life very few of us get what we want, our tragedies don't kill us, but we go on living them year after year, carrying them with us like a scar on an old wound.

After all, the supreme virtue in all art is soul, perhaps it is the only thing which gives art a right to be.