If you get stuck and it feels a little stiff, then you do have to mess it up to find it. But other times it's really written and you just stick to your guns and do it as elegantly and as concentrated and as committed as you can.

You can be intuitive when you've got a more expansive role. You can get into the poetry of telling the story rather than just pushing buttons.

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.

The real difficulty for smaller films, when they're made independently and it's time to go for a distributor, sometimes if it's a tough film and the people who financed it need their money back right away, it's much easier and lucrative to take a DVD deal.

I like to work with people of different cultures, different points of view. But yeah, I feel much more comfortable. That's the problem I sometimes have with going to Hollywood. I feel like they don't share the same values as I do. They aren't interested in the same things. It's not always true, but sometimes, I feel it deeply, because as an industry, they celebrate things that I'm less interested in, and it's all about the business.

I want to work with people who are good at what they do, and people who are passionate.

One of the pleasures of being an actor is quite simply taking a walk in someone else's shoes. And when I look at the roles I've played, I'm kind of amazed at all the wonderful adventures I've had and the different things I've learned.