I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.

I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through the characters.

A lot of critics are lazy. They don't want to look closely and analyze something for what it is. They take a quick first impression and then rush to compare it to something they've seen before.

For every role, you have to always find a different way to approach it, one that's specific and suits what the key is. Every role's a mystery. I think if you know what it is, you probably shouldn't even do it.

Sometimes you feel like you have to do research to make something, other times you know you don't feel it so much.

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too.

I love doing action and stuff; the problem is usually action movies are not that interesting. Also as I get older I feel like there's less opportunities for me.