I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.

I think the 50mm lens is an extremely good discipline lens; it requires you to see in a more refined way, not just tighter.

What is right? Simply put, it is any assignment in which the photographer has a significant spiritual stake...spiritually driven work constitutes the core of a photographer's contribution to culture.

I believe in the resonance and staying power of quiet photographs. These photographs required a certain seeing, but few special techniques, and no tricks. Something though was hard. It was hard being between photographs and not knowing when or how another image would reveal itself.

You've got to push yourself harder. You've got to start looking for pictures nobody else could take. You've got to take the tools you have and probe deeper.

In my photography, color and composition are inseparable. I see in color.

You have to care. You can't do good work if you don't care. That's not necessarily a strength, but it gives you strength.