Writing is not a searching about in the daily experience for apt similes and pretty thoughts and images… It is not a conscious recording of the day’s experiences ‘freshly and with the appearance of reality’… The writer of imagination would find himself released from observing things for the purpose of writing them down later. He would be there to enjoy, to taste, to engage the free world, not a world which he carries like a bag of food, always fearful lest he drop something or someone get more than he.

It is difficult to get the news from poetry, yet men die miserably every day for lack of what is found there.

The poem is a capsule where we wrap up our punishable secrets.

First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.

Death will be too late to bring us aid.

Most of the beauties of travel are due to the strange hours we keep to see them

Outside, the north wind, coming and passing, swelling and dying, lifts the frozen sand drives it a-rattle against the lidless windows and we may dear sit stroking the cat stroking the cat and smiling sleepily, prrrr.