There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.

Life is, I think, a blunder and a shame.

Or ever the knightly years were gone, with the old world to the grave, I was a King in Babylon and you were a Christian Slave. I saw, I took, I cast you by, I bent and broke your pride... And a myriad suns have set and shone, since then upon the grave, Decreed by the King in Babylon, to her that had been his slave. The pride I trampled is now my scathe, for it tramples me again. The old remnant lasts like death for you love, yet you refrain. I break my heart on your hard unfaith, and I break my heart in vain.

So be my passing! My task accomplished and the long day done, My wages taken, and in my heart Some late lark singing, Let me be gathered in the quiet west, The sundown splendid and serene, Death.

There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.

Pointed criticism, if accurate, often gives the artist an inner sense of relief. The criticism that damages is that which disparages, dismisses, ridicules, or condemns.

In the fell clutch of circumstance, I have not winced nor cried aloud: Under the bludgeoning of chance my head is bloody, but unbowed.