There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.

The nightingale has a lyre of gold, The lark's is a clarion call, And the blackbird plays but a boxwood flute, But I love him best of all. For his song is all the joy of life, And we in the mad spring weather, We two have listened till he sang Our hearts and lips together.

Madam Life's a piece in bloom Death goes dogging everywhere: she's the tenant of the room, he's the ruffian on the stair.

Behold me waiting—waiting for the knife.... The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life.... [F]ace to face with chance, I shrink a little: My hopes are strong, my will is something weak. ...I am ready But, gentlemen my porters, life is brittle: You carry Cæsar and his fortunes—steady!

It is the artist's function not to copy but to synthesise: to eliminate from that gross confusion of actuality which is his raw material whatever is accidental, idle, irrelevant, and select for perpetuation that only which is appropriate and immortal.

Open your heart and take us in, Love-love and me.

A late lark twitters from the quiet skies.