I had learned a little about writing from Soldier's Pay - how to approach language, words: not with seriousness so much as an essayist does, but with a kind of alert respect, as you approach dynamite; even with joy, as you approach women: perhaps with the same secretly unscrupulous intentions.

A man. All men. He will pass up a hundred chances to do good for one chance to meddle where meddling is not wanted. He will overlook and fail to see chances, opportunities, for riches and fame and welldoing, and even sometimes for evil. But he won't fail to see a chance to meddle.

All of us failed to match our dreams of perfection.

A writer must teach himself that the basest of all things is to be afraid.

My own experience has been that the tools I need for my trade are paper, tobacco, food, and a little whisky.

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies.

It was like something you have dreaded and feared and dodged for years until it seemed like all your life, then despite everything it happened to you and all it was was just pain, all it did was hurt and so it was all over, all finished, all right.