We worked on The Perfect Storm, and I'll never forget, Wolfgang Petersen would talk about a moment. Like a non-speaking moment, where we'd all be sitting around eating dinner, and it would probably last maybe four seconds on screen. But he would sit there and talk about it for about 10 minutes. He knew what piece of the puzzle that scene would be, and if it were six seconds, it would be too long. If it were three seconds, it wouldn't be enough. I'm always turned on with people's enthusiasm like that.

The Underneath was my first film. Steven Soderbergh. I remember that I thought, "Wow, this is such a highlight. Am I ever going to get back to this?" Loved working with Steven and in Austin, Texas, one of the rockin'-est towns in America. I'll always remember it, because I was really grateful that someone finally hired me for a movie.

I just loved being around everybody. We just found a rhythm with each other that you want to get on everything you ever do in your life.

Passion Of Mind movie is one of my rare romantic things. I'm ready for another. Shooting that, I remember France. We were in the south of France, and Paris. That's the first thing that comes to mind for that. I just remember that that was a beautiful place to be when we shot it.

It's not like it's not fun to work on big studio pictures. It is. But I can't say that's more fun than working on some little indie for scale. Look at The Amateurs, that's probably the best time I ever had working on a film. With that group of guys, it ended up being an experience I'll never forget. I'll always have the fondest memory of that shoot.

When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing.

The greatest joy in getting ready for the film is that there aren't many reference points for the journey and you've got to define it for yourself.