Poor-country surf communities can be complex and, to some extent, leveling. The fisherman's kid is competing head to head with the plutocrat's gilded son. Your father can't buy you a good frontside hack.

Rich white people show up in a poor country to pursue their leisure-time fun, get served by black and brown people, and live in relative - or absolute - comfort. In the water, that situation can get turned on its head, though. Local kids learn to surf, know the breaks, and take most or all of the best waves, fuming turistas be damned.

Memoir is a weird genre for a reporter. You end up investigating your own memories, reporting out your past.

Even wars, big conflicts that have drawn a lot of news coverage, sometimes seem to me to have a center that hasn't been described, that might yet be glimpsed if approached from some odd angle.

Poor-country surf communities can be complex and, to some extent, leveling. The fisherman's kid is competing head to head with the plutocrat's gilded son. Your father can't buy you a good frontside hack.

It's completely different, for instance, to report on poor farmers in Africa than it is to report on, say, poor African-Americans. The familiarity of my readers with the terrain, and their preconceptions, are quite different in those two cases, and their perspective, as I imagine it, has to be taken into account at every turn.

I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.