When you want to know how things really work, study them when they're coming apart.

If someone comes in and says, "What are you doing," if I'm honest, the answer is, "I don't know. But I'm doing THIS, don't know why."

When I start writing a new imaginary future, I have no idea what it is. The characters arrive first. They help me figure out where they are living and I get to fill in the gaps with that and where we are. So when I get to the end of the process of composition, if I feel that I have really done my job, I have no idea what I've got - and I then spend essentially the rest of my life figuring out what it might mean.

To the very limited extent that I have a political consciousness, to some extent I'm a lazy, apolitical sort of guy that just flits around.

I watch for emergent technologies and pay attention to what people say they'll be good for, then see what we actually use them for. It never occurred to me that a tiny telephone with a wireless transceiver would do whatever it is that it's done to us.

I started writing short fiction very briefly, as I imagine is the case for some novelists.

I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.