I've always assumed from the beginning that I had relatively few contemporaries among my readership. Not that I was consciously writing for a younger audience but that what I was doing interested a younger audience, or at least threatened them less.

I loved the Limey [movie]! It's so violent! And yet it's so exquisitely romanticized in a sort of Japanese way, it's a samurai film. Coming out of that, I was really deeply conflicted, because a friend who had seen it said, it's beautiful, but it's not about anything. it's one micron thick.

I'm very primitive in terms of economics. The kind of new business in which stock gets more valuable because the company grows, but there must be limits to growth. But if publishing is expanding to fill that retail space, it seems like there may be a necessary and unpleasant correction waiting down the road. How many books to people WANT?

I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.

I suppose I do the Japanese because I just don't know China. Chinese popular culture has never evoked that instant of, "Whoah! What's that?" that I have with Japanese popular culture.

[I've gone to big stadium rock concerts at some artist's invitation], and eventually you find yourself in the room with the Radiant Being around whom all this is revolving. It's very bizarre, and it's quasi-religious, or possibly genuinely religious. Spooky. It's a spooky and interesting thing.

I very seldom compose anything in my head which later finds its way into text, except character names sometimes - I'm often very much inspired by things that I misunderstand.