This perpetual toggling between nothing being new, under the sun, and everything having very recently changed, absolutely, is perhaps the central driving tension of my work.

To the very limited extent that I have a political consciousness, to some extent I'm a lazy, apolitical sort of guy that just flits around.

If there's a movie of Neuromancer, what I really want the special effects guys to do is make you see, from Case's point of view, the little acid giggies: the little lines and trails coming off of things.

Twitter is the only brand of social media that I have ever taken to at all. I like the feeling of having my perception of the world expanded daily, 24/7, by being able to monitor the reactions of 100-and-some people throughout the world that I personally follow so I have some sense of who they are. There has never really been anything like that before, at least in terms of the digestible 140-character bandwidth that Twitter is based on. I am able to wake up, open Twitter, and sort of glance across the psychic state of the planet.

Art Deco for me except in its most crazed and attenuated forms, it's jut a matter of taste.

This perpetual toggling between nothing being new, under the sun, and everything having very recently changed, absolutely, is perhaps the central driving tension of my work.

[The currency of being celebrity] used to be only the elect had any manna in the information society and everyone else was a consumer.