I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.

To some extent I'm guilty of wishful thinking. The absence of the interstitial I find unbearable.

I like living in Vancouver .It's more a matter of being a Vancouver loyalist. Harking back to what I said about growing up with the inherent violence in the southern U.S., I'm deeply enamoured of, and entirely used to living in a society with gun laws akin to those of a Scandinavian social democracy .It's a good thing.

He took a duck in the face at 250 knots.

Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.

I look at [Toronto] and think well, perhaps my grandchildren will someday look at this stuff with the sort of appreciation I once held for Art Deco. Although I've come to find Art Deco quite creepy too.

There's an idea called "gray man", in the security business, that I find interesting. They teach people to dress unobtrusively. Chinos instead of combat pants, and if you really need the extra pockets, a better design conceals them. They assume, actually, that the bad guys will shoot all the guys wearing combat pants first, just to be sure.