Dreaming in public is an important part of our job description, as science writers, but there are bad dreams as well as good dreams. We're dreamers, you see, but we're also realists, of a sort.

Things aren't different. Things are things.

I loved the Limey [movie]! It's so violent! And yet it's so exquisitely romanticized in a sort of Japanese way, it's a samurai film. Coming out of that, I was really deeply conflicted, because a friend who had seen it said, it's beautiful, but it's not about anything. it's one micron thick.

I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.

Secrets...are the very root of cool.

If someone comes in and says, "What are you doing," if I'm honest, the answer is, "I don't know. But I'm doing THIS, don't know why."