I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.

The Simpson's in Piccadilly has been turned into the largest bookstore in all of Europe! How can they fill it? All of these purpose-built Borders and Chapters and every new mall that goes up has a giant chain bookstore with a purpose-built author reading space, whoah, what's gong on there.

I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.

There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul.

I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.

Part of the core of my system, is a way of trying to give the characters more control. If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.

I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.