I'm a reluctant writer of non-fiction, in part because I don't really feel qualified.

I look at [Toronto] and think well, perhaps my grandchildren will someday look at this stuff with the sort of appreciation I once held for Art Deco. Although I've come to find Art Deco quite creepy too.

I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.

Laney had recently noticed that the only people who had titles that clearly described their jobs had jobs he wouldn't have wanted.

I think that one of the visions that is closest to reality is the cardboard city in the subway station in Tokyo, which is based very closely on a series of documentary photographs of people living like that and of the contents of the boxes. Those are quite haunting because Tokyo homeless people reiterate the whole nature of living in Tokyo in these cardboard boxes, they're only slightly smaller than Tokyo apartments, and they have almost as many consumer goods. It's a nightmare of boxes within boxes.

I was once really close to sitting down and having a conversation with a shadowy young woman who is reputed have become a millionaire by investing in Beanie Babies. She was someone that a couple people claimed to know, she seemed to exist, but she remained shadowy.

The prefix cyber is going the way of the prefix electro.