There is one crucial rule that must be followed in all creative meetings. Never speak first. At least at the start, your job is to shut up.

A good writer is not someone who knows how to write- but how to rewrite

[Prince Humperdinck] was seventy-five minutes away from his first female murder, and he wondered if he could get his fingers to her throat before even the start of a scream. He had been practicing on giant sausages all the afternoon and had the movements down pretty pat, but then, giant sausages weren’t necks and all the wishing in the world wouldn’t make them so.

She loves you," the Prince cried. "She loves you still and you love her, so think of that--think of this too: in all this world, you might have been happy, genuinely happy. Not one couple in a century has that chance, not really, no matter what the storybooks say, but you could have had it, and so, I would think, no one will ever suffer a loss as great as you.

The boys. The village boys. The beef-witted featherbrained rattleskulled clodpated dimdomed noodle-noggined sapheaded lunk-knobbed boys. How could anybody accuse her of stealing them? Why would anybody want them anyway?

You have to protect your writing time. You have to protect it to the death.

People don't remember me. Really. It's not a paranoid thing; I just have this habit of slipping through memories. It doesn't bother me all that much, except I guess that's a lie; it does. For some reason, I test very high on forgettability.