I think what all actors share is that, somewhere down in your solar plexus, there's this fear that you're not going to be able to come up with the goods, that this is the one movie where you're going to look like a fool, and they should have cast someone else. And you feel ugly, and you've got three chins, and you've gained too much weight, and you're losing your hair, and there are so many better actors who could do this. But if you've got chops, what you realize is that everybody feels that way, so just show up and do the job.

The only reason an indie gets made is because someone has a burning passion to do it and won't take no for an answer, as opposed to a big film, which is like a train that starts rolling down the tracks and nothing can stop it.

One of the things I did early on in film was over-enunciate and talk too loud.

So much of the violence in the movies is b.s. violence: A guy in the middle of a large city with 14 people lying on the ground that he's just killed with his superhuman powers, and there's not a cop to be found. Not a siren to be heard. No price to be paid. That's not true, and I don't like that sort of stuff.

When I was in New York, I was making a living. We had a summer house and a car that I could put in a garage. That's something for a stage actor.

I love women. I always have. I'm not pretending that I understand them, but I just love women. I love being in their presence and I love everything about them.

I think what all actors share is that, somewhere down in your solar plexus, there's this fear that you're not going to be able to come up with the goods, that this is the one movie where you're going to look like a fool, and they should have cast someone else. And you feel ugly, and you've got three chins, and you've gained too much weight, and you're losing your hair, and there are so many better actors who could do this. But if you've got chops, what you realize is that everybody feels that way, so just show up and do the job.