Don't worry about meaning. If a story's any good, it can't help but have meaning. Let the PhDs tell you what your story means.

We continually use stories to hold up as mirrors to ourselves.

Places come to exist in our imaginations because of stories, and so do we. When we reach for a "sense of place," we posit an intimate relationship to a set of stories connected to a particular location, such as Hong Kong or the Grand Canyon or the bed where we were born, thinking of histories and the evolution of personalities in a local context. Having "a sense of self" means possessing a set of stories about who we are and with whom and why.

What I wanted was some dreamlike Frank Lloyd Wright bungalow where we could sit on the veranda forever and it would always be twilight in the temperate zones, in the most beautiful house.

It is our duty to preserve huge tracts of land in something resembling its native condition. The biological interactions necessary to insure the continuities of life are astonishingly complex, and cannot take place in islands of semiwilderness like the national parks.

They knew bullshit, and they knew about the ruling class; dying for a ruling class cause was almost always bullshit.

It is a skill we learn early, the art of inventing stories to explain away the fearful scared strangeness of the world. Storytelling and make-believe, like war and agriculture, are among the arts of self-defense, and all of them are ways of enclosing otherness and claiming ownership.