If you're going to do a guest spot on television, they need bodies on those procedural TV shows. You've got to keep working, and that's where a lot of the work is.

Well, you're in a theater and it's 24 shots a second, your face, your body, your voice, and it's your craft, the way you earn your living, and it's indelible. It's not like writing a script - I write as well - I can't do another draft, it's done.

I don't think that necessarily I was encouraged by the nuns and the priest to consider alternate possibilities to the universe.

I went to Notre Dame. I don't know if that has any relevance, but maybe we all had a little too much philosophy and theology.

I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.

Look, we all know how hard it is for us to - I'm going to speak for myself - find a still photo of yourself that you like. Like how many times do people send photos and you're like, "Oh burn it."

One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.