Look, we all know how hard it is for us to - I'm going to speak for myself - find a still photo of yourself that you like. Like how many times do people send photos and you're like, "Oh burn it."

It's because you have no power. You give them all the material and the cinematographer, the director, the editor, boy what they can choose... You better hope they like you because they can slice and dice and make you look like a damn fool when your face and body are up there on a 30-foot screen.

I do like taking on responsibility, sometimes too much. But I was aware of that early on and it's something that came up in the previous set of interviews, and that is the actor‛s contribution.

I write, and when see a movie in which it's supernatural, some other worlds, or some other aspect to our world that we're not aware of, and [they] don't explain what the rules are, that kind of stuff drives me crazy.

If you think about filmmaking as an entire spectrum, starting with the writer and ending with maybe the marketing department, the actor's contribution is a rather slender band.

I went to Notre Dame. I don't know if that has any relevance, but maybe we all had a little too much philosophy and theology.

I love sci-fi, especially when it thrives on a thought-provoking story, rather than explosions.