The countenance may be rightly defined as the title page which heralds the contents of the human volume, but like other title pages, it sometimes puzzles, often misleads, and often says nothing to the purpose.

A great deal of the joy of life consists in doing perfectly, or at least to the best of one's ability, everything which one attempts to do. There is a sense of satisfaction, a pride in surveying such a work, a work which is rounded, full, exact, complete in all its parts-which the superficial man, who leaves his work in a slovenly, slipshod, half-finished condition can never know. It is this conscientious completeness which turns work into art. The smallest thing, well done, becomes artistic.

We all have two childhoods, the unhappy one and the happy one.

With the "civilized" person contentment is a myth. From the cradle to the grave they are forever longing and striving after something better, an indefinable something, some new object yet unattained.

Solitary reading will enable a man to stuff himself with information, but without conversation his mind will become like a pond without an outlet-a mass of unhealthy stag-nature. It is not enough to harvest knowledge by study; the wind of talk must winnow it and blow away the chaff. Then will the clear, bright grains of wisdom be garnered, for our own use or that of others.

Talking, is a digestive process which is absolutely essential to the mental constitution of the man who devours many books.

What are the precise characteristics of an epigram it is not easy to define. It differs from a joke, in the fact that the wit of the latter dies in the words, and cannot therefore be conveyed in another language; while an epigram is a wit of ideas, and hence, is translatable. Like aphorisms, songs and sonnets, it is occupied with some single point, small and manageable; but whilst a song conveys a sentiment, a sonnet a poetical, and an aphorism a moral reflection, an epigram expresses a contrast.