Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.

I hate doing anything in offices. I either want to be out in the world or in my own environment - and it should be your own environment that you work in.

Casting is all about availability, as much as anything else.

I don't have an aversion to quote unquote remakes, because I understand what dramatic writing is, what the dramatic profession has always been about, which is talent, not the pretext for its exhibition.

I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.

I'm not a precious text protector, or anything like that, you know, because it's a much more vital form than that. You have to rock.

I think probably everybody works most on the beginning and the ending.