Life is a cutup. And to pretend that you write or paint in a timeless vacuum is just simply . . . not . . . true, not in accord with the facts of human perception.

Squatting on old bones and excrement and rusty iron, in a white blaze of heat, a panorama of naked idiots stretches to the horizon. Complete silence - their speech centres are destroyed - except for the crackle of sparks and the popping of singed flesh as they apply electrodes up and down the spine. White smoke of burning flesh hangs in the motionless air. A group of children have tied an idiot to a post with barbed wire and built a fire between his legs and stand watching with bestial curiosity as the flames lick his thighs. His flesh jerks in the fire with insect agony.

Kerouac and I are not real at all. The only thing about a writer is that he has written, and not his so-called life. 'And we (will) all die and the stars will go out, one after another.

Anything that can be done chemically can be done by other means.

We have a great elaborate machine which I feel has to be completely dismantled - in order to do that we need people who understand how the machine works - the mass media - unparalleled opportunity.

My general theory since 1971 has been that the word is literally a virus, and that it has not been recognized as such because it has achieved a state of relatively stable symbiosis with its human host; that is to say, the word virus (the other Half) has established itself so firmly as an accepted part of the human organism that it can now sneer at gangster viruses like smallpox and turn them in to the Pasteur Institute.

I don't go into hysterics or anything, but I look around for something to smash it with. I used to live out in the country when I first moved here, and there were a lot of centipedes in the house, and I set out to kill them all. A program of genocide. I'd wake up in the middle of the night, and I'd know there's a centipede in this room. And there always was. And I couldn't go to sleep until I killed it.