Visual art and writing don't exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can't do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.

The best way to keep something bad from happening is to see it ahead of time... and you can't see it if you refuse to face the possibility.

Admittedly, a homosexual can be conditioned to react sexually to a woman, or to an old boot for that matter. In fact, both homo - and heterosexual experimental subjects have been conditioned to react sexually to an old boot, and you can save a lot of money that way.

I've seen villages in South America with no police whatever. Then the cops would arrive, then the sanitary inspectors, and before you know it they've got all the problems - crime, juvenile delinquency, the whole works - just like us.

I feel that opiates - I include opium and all its derivatives, such as morphine, heroin, pantopon, etc. - are quite useless for any sort of creative work, useful though they may be for routine work. Much of the hard physical work in the Far East is done by opium addicts.

My characters are quite as real to me as so-called real people; which is one reason why I'm not subject to what is known as loneliness. I have plenty of company.

Kerouac and I are not real at all. The only thing about a writer is that he has written, and not his so-called life. 'And we (will) all die and the stars will go out, one after another.