The consciousness-expanding drugs - the hallucinogens, such as cannabis, mescaline, LSD, Psylocybin - I think are useful to a writer up to a certain point. That is, they open psychic areas that would not otherwise be available to the writer. But I feel that once these areas have been opened and the writer has reached them, he is able to get back there in the future without the drug.

Communication must become total and conscious before we can stop it.

Most of the trouble in this world has been caused by folks who can't mind their own business, because they have no business of their own to mind, any more than a smallpox virus has.

Consider the impasse of a one-God universe. He is all-knowing and all-powerful. He can't go anywhere, since He is already everywhere. He can't do anything, since the act of doing presupposes opposition. His universe is irrevocably thermodynamic, having no friction by definition. So, He has to create friction: War, Fear, Sickness, Death, to keep his dying show on the road.

Many of my characters first came through to me as voices. That's why I use a tape recorder.

Speaking for myself, art differs from writing in that I never know what I'm going to paint until I paint it, so it's almost like automatic writing. A writer, on the other hand, can't help but know what he's going to write, because the activity demands a degree of premeditation.

Black magic operates most effectively in preconscious, marginal areas. Casual curses are the most effective.