I decided that there is really some sort of entity that I call Imperial, and I decided to extend it all the way along the California-Mexico border and into Tijuana and then to the Pacific because it all has a similar feeling.

Most literary critics agree that fiction cannot be reduced to mere falsehood. Well-crafted protagonists come to life, pornography causes orgasms, and the pretense that life is what we want it to be may conceivably bring about the desired condition. Hence religious parables, socialist realism, Nazi propaganda. And if this story likewise crawls with reactionary supernaturalism, that might be because its author longs to see letters scuttling across ceilings, cautiously beginning to reify themselves into angels. For if they could only do that, then why not us?

At least I hope - that the fiction I've written so far has flaws but has mostly been successful.

We're living in what used to be Mexico, and there's this very fluid border feeling. You go a little bit south of Tijuana, for instance, into Ensenada, and it still seems kind of borderlike. And you go much farther, suddenly the prices are lower, the prostitution is different, the commerce is different, everything feels more "Mexican."

There are parts of L.A. that feel very, very Mexican, and there are weird little enclaves of Northside in Mexico - Cancún for instance. So what is a border?

I think that we're all, as human beings, so limited. If we want to write about ourselves, that's fairly easy. And if we write about our friends or our families, we can do that. But if we want to project ourselves somewhere beyond our personal experience we're going to fail unless we get that experience or we borrow it from others.

I decided that there is really some sort of entity that I call Imperial, and I decided to extend it all the way along the California-Mexico border and into Tijuana and then to the Pacific because it all has a similar feeling.