My fiction may, now and again, illuminate aspects of the human condition, but I do not consciously set out to do so: I am a storyteller.

People like me write because otherwise we are pretty inarticulate. Our articulation is our writing.

There is an element of autobiography in all fiction in that pain or distress, or pleasure, is based on the author's own. But in my case that is as far as it goes.

By the end, you should be inside your character, actually operating from within somebody else, and knowing him pretty well, as that person knows himself or herself. You're sort of a predator, an invader of people.

The same applies to any artist; we are the tools and instruments of our talent. We are outsiders; we have no place in society because society is what we’re watching, and dealing with.

As a writer one doesn’t belong anywhere. Fiction writers, I think, are even more outside the pale, necessarily on the edge of society. Because society and people are our meat, one really doesn’t belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.

Memories can be everything if we choose to make them so. But you are right: you mustn't do that. That is for me, and I shall do it.