When a writer knows home in his heart, his heart must remain subtly apart from it.

My mother's people, the people who captured my imagination when I was growing up, were of the Deep South - emotional, changeable, touched with charisma and given to histrionic flourishes. They were courageous under tension and unexpectedly tough beneath their wild eccentricities, for they had and unusually close working agreement with God. They also had an unusually high quota of bullshit.

When I started driving our old four-door green DeSoto, I always took Skip on my trips around town. I would get Skip to prop himself against the steering wheel, his black head peering out of the windshield, while I crouched out of sight under the dashboard. Slowing the car to ten or fifteen, I would guide the steering wheel with my right hand while Skip, with his paws, kept it steady. As we drove by the Blue Front Café, I could hear one of the men shout: "Look at that ol' dog drivin' a car!"

When a writer knows home in his heart, his heart must remain subtly apart from it.

The dog of your boyhood teaches you a great deal about friendship, and love, and death: Old Skip was my brother. They had buried him under our elm tree, they said-yet this wasn't totally true. For he really lay buried in my heart.

I have always had a love for American geography, and especially for the landscapes of the South. One of my pleasures has been to drive across it, with no one in the world knowing where I am, languidly absorbing the thoughts and memories of old moments, of people vanished now from my life.

It took me years to understand that words are often as important as experience, because words make experience last.