In the UK, tons of records are now sold in grocery stores, because there are no record stores - it's iTunes or the grocery store. And almost every band that had an impact on me was on a major label. There's value in people actually hearing things, as well.

I find myself a lot more open to bands if I just hear their song. It gives you an opportunity to engage with the thing itself and not be overwhelmed by everything else that surrounds it.

A lot of stuff is dark in a way, but unless you're really looking at a situation for what it actually is, it's hard to be hopeful - or meaningless to be hopeful about it unless it's actually based in a real possibility.

My favorite English teacher in high school showed me 'Brazil' when I was 15 and it blew my mind. It's one of those movies that's revealed itself in different ways as I've gone back to it over the years.

When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.

I think of hip hop as a mass media, radio, MTV thing. It’s been extremely relevant over the last 10 years and rock music is just not anymore—-a tear rolls down my cheek as I say that.

It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.