I got to work with Gena Rowlands when I did Night on Earth, and the movie was just you and someone else in a car, you're just hanging out. There's nobody else, just a walkie-talkie. It was a night shoot, and it was only a week or ten days. But it was incredible just being in her presence.

Scapegoating will go on forever. We need someone to blame - illegal immigrants, single moms, people in prison. We need someone to victimize.

I had this big complex because I didn't go to college. There was a whole era where I got linked to everybody. People that I had never met. I was like, "How? I'm home alone reading chapter 12 of a book."

Remember, I'm the kind of kid who used to get stuffed into a locker by school bullies. I've never felt like I'm a big star at any level of my life.

Actors do these really gross, gun-'em-down movies, and I always wonder why. They're not good movies. And it's like, "Why are you doing them? Aren't you rich enough?"

I remember when I did Little Women, I didn't watch the Katharine Hepburn one over and over, which I thought I would do. Heathers, I was completely obsessed with.

There's a scene [in the 1990 film Welcome Home, Roxy Carmichael] in my bedroom where I start eating Almond Roca. I was so young. It was before I knew the tricks of moviemaking, and I didn't know you shoot a lot of different angles. I gobbled them and didn't realize I had to keep doing it. So I had to eat 64 Almond Roca that day. I got so sick. In the beginning you're like, 'Ooh, that looks good.' But hours later, no.