I got to work with Gena Rowlands when I did Night on Earth, and the movie was just you and someone else in a car, you're just hanging out. There's nobody else, just a walkie-talkie. It was a night shoot, and it was only a week or ten days. But it was incredible just being in her presence.

I've learned that it's OK to be flawed, that life can be messy, that some days you glide and some days you fall, but most important, that there are no secret answers out there.

A lot of the old movie theaters are closing down now, which is really sad. It's still in the back of my mind.

In America, I don't know how much longer the environment is going to exist. I sort of strongly believe that we're in danger.

That's an aspect of this business which can be very frustrating and aggravating. Most of what is written about you is wrong and so much of what does get printed is often about personal things that you don't want to have other people read about.

I think I'm learning to be bolder in my career choices and be more confident in my personal life. I haven't always felt very secure as an individual, but now I feel I certain confidence and sense of self that gets me through the day a lot better than before.

I had this big complex because I didn't go to college. There was a whole era where I got linked to everybody. People that I had never met. I was like, "How? I'm home alone reading chapter 12 of a book."