You look at people like Gena Rowlands, but she had [John] Cassavetes to write these amazing roles for her.

I've learned that it's OK to be flawed.

I don't believe I am influencing anybody but myself.

You do a movie if it's good and if you want to do it. It doesn't matter if it's small or big or expensive or cheap. If you want to say the words, you're gonna say them. You can't strategize.

Suddenly you're the mom, or you go from ... You're not an ingénue, you don't want to play an ingénue, but it's like that line in The First Wives Club [1996]: "There are only three ages for women in Hollywood: babe, district attorney, and Driving Miss Daisy."

Most actors don't know what they're going to do next, so you get into this thing where you have to force yourself to have another life outside of acting. And then, as soon as you start something in this sort of normal life that you're trying to live, you get a job. So you have this constant struggle because you want to be able to commit to things and to finish things in your life, but then you also want to be able to act.

I want to be a good person, and a person that people enjoy working with, 'cause I certainly enjoy working with other people.