If you're a musician, you can practice your guitar every day and write songs, but when you're an actor, you can't just like burst into a monologue. Your only exercise is when you're in prep or you're working.

No one is banging my door down to be a superhero. I don't know how good I would be. I have low bone density, so I don't know if anyone really wants to put me in a cape and chuck me out a window. But a lot of my friends, who are great actors and who come from film, are doing TV because that's where the opportunities are. For us, it does feel like it's similar to making the movies that we used to make.

In retrospect, I went to Jane Fonda for literally everything. During Mermaids, we were staying in the same building, so she was right upstairs from me. I was in my first relationship, so I got all sorts of advice. She became famous in her late teens.

You can't pay enough money to... cure that feeling of being broken and confused.

I feel like I had to learn how to take care of myself and find out what made me happy aside from just making films.

How I was raised was, there were no rules - nothing like that. If I wanted to take a drug because I was in school and everybody was doing it, I could go to my parents and say, "I really want to try this." And they'd say, "If you do this, O.K., but this is what can happen to you..." They'd say, "Don't get it in the streets, because it could be really bad and make you freak out. Don't take it in a crowded place, because you'll panic."

I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.