I'm fighting against the bad poet who is prone to using too many words.

Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.

Poets, if they're genuine, must keep repeating "I don't know." Each poem marks an effort to answer this statement, but as soon as the final period hits the page, the poet begins to hesitate, starts to realize that this particular answer was pure makeshift that's absolutely inadequate to boot. So the poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paperclip by literary historians and called their oeuvre.

It's a well-known fact: in order to follow doctor's orders, you have to be healthy as a horse.

I've had the good fortune to read a lot of great American writers in translation, and my absolute beloved, for me one of the greatest writers ever, is Mark Twain. Yes, yes, yes. And Whitman, from whom the whole of 20th-century poetry sprung up. Whitman was the origin of things, someone with a completely different outlook. But I think that he's the father of the new wave in the world's poetry which to this very day is hitting the shore.

Animals don't even try to look any different from what nature intended. They humbly wear their shells, scales, spines, plumes, pelts, and down. ... The conscious impulse to change one's appearance is found only among humans.

When I mention somebody, that doesn't necessarily mean that I identify with him, personally or poetically. I'm extremely happy when I encounter poets who are different than I am. The ones who have their own distinct poetics provide me with the greatest experiences.