Four billion people on this earth, but my imagination is still the same. It's bad with large numbers. It's still taken by particularity. It flits in the dark like a flashlight, illuminating only random faces while all the rest go blindly by, never coming to mind and never really missed. . . . I can't tell you how much I pass over in silence.

A Note Life is the only way to get covered in leaves, catch your breath on the sand, rise on wings; to be a dog, or stroke its warm fur; to tell pain from everything it's not; to squeeze inside events, dawdle in views, to seek the least of all possible mistakes. An extraordinary chance to remember for a moment a conversation held with the lamp switched off; and if only once to stumble upon a stone, end up soaked in one downpour or another, mislay your keys in the grass; and to follow a spark on the wind with your eyes; and to keep on not knowing something important.

They say the first sentence in any speech is always the hardest. Well, that one's behind me, anyway.

In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.

All imperfection is easier to tolerate if served up in small doses.

Even a graphomaniac is an extremely complicated person.

They say the first love's most important. That's very romantic, but not my experience.