I could have protested of course, who says I couldn't--I could have risen to my feet at any moment, walked up to them, and--no matter how difficult it would have been--made it abundantly clear that I was not seventeen but thirty. I could have--yet I couldn't because I didn't want to, the only thing I wanted was to prove that I was not an old-fashioned boy!

You are ugly when you love her, you are beautiful and fresh, vital and free, modern and poetic when you don't... you are more beautiful as an orphan than as your mother's son.

When one does not have what one wants, one must want what one has”: “I have had, you see, to resort more and more to very small, almost invisible pleasures, little extras. You've no idea how great one becomes with these little details, it's incredible how one grows.

Against the background of general freakishness the case of my particular freakishness was lost.

To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.

Any artist who respects himself ought to be, and in every sense of the term, an emigre.

Beauty beheld in solitude is even more lethal.