Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.

I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.

We must acknowledge that we made a huge error in satisfying the lowest common denominator of the available human potential in Nigeria and we elevated what I call the reign of mediocrity. Quite frankly, I think it is about repudiating the past, creating space for new thinking for the best of the new generation, creating both political and geographical space and going at it with single mindedness that says, 'enough of buttering, sentiments and massaging the ego of the old brigade'.

For me, justice is the prime condition of humanity.

After the death of the sadistic dictator Gen. Sanni Abacha in 1998, Nigeria underwent a one-year transitional military administration headed by Gen. Abdulsalami Abubakar, who uncharacteristically bowed out precisely on the promised date for military disengagement. Did the military truly disengage, however? No.

But the ultimate lesson is just sit down and write. That's all.

The idea of having to make constant reference to politics is anathema to my calling as a writer.